You might have seen my black and white letterform collages on polymer clay using an image transfer technique. These abstract letterforms highlight not just the shapes of the letters but their negative spaces as well. What’s not there is often more interesting than what is there. When I was a graphic design instructor, I’d assign a project similar to these pieces to my typography students. It taught them to become intimate with the shapes of letters without the distraction of meaning.
So I was happy to come across a call for entry for an exhibition with typography as the subject matter. The only problem was that the deadline was right around the corner. There wasn’t much time to create entirely new pieces. Read more
